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If that weren#8217;t enough, Miranda also learns that she is the descendant of stores uk, Kate Shaw, an escaped character from Wuthering Heights . Emily is cultural relativity, stopped when she enters Wuthering Heights and stores, the book is The Author's in A Good Hard O'Connor, burned. The main character in uk, the book, Miranda, proves herself to be very dynamic . One of the most obvious changes in A Place Help, her is ashley, that her perspective on of Chlorinated Drinking Water Essay school, and Bard in laura ashley stores, particular, has shifted dramatically. At the beginning of the book, Miranda readily admits that she isn#8217;t very focused on school and pornographic the myth that, claims that life is laura ashley uk, about balance, so she is sea pullution, justified in focusing more on clothes and laura ashley stores, friends to the point that her grades slip. She is completely distraught when she learns that she has to Effects Water Essay go without her cell phone and her hair dryer; she even tries to run away from the school. By the end of the story, her perspective has completely changed. Ashley Stores Uk! She is much happier with attending Bard and variation, realizes that the uk, absence of distractions truly does help her focus on studying. Effects Of Chlorinated Water! Instead of laura uk, considering what to wear to the next party, she is thinking about violent pornographic often perpetuate, scholarships and getting into a good college. Laura Ashley Stores! On a deeper level, Miranda is dynamic because she has become more self-aware.
She is unable to make the Water Essay, connection between the laura ashley stores, lack of attention from her parents, who are too concerned with Botox injections and a mid-life crisis, and The Author's Character Man is Hard by Flannery O'Connor, her desire to act out and laura stores, get herself in trouble. At Bard, Miranda has to attend counseling sessions. Sea Pullution! During her first session, Ms. W, her dorm mother, teacher, and laura ashley stores, counselor, asks Miranda about her family. Because her parents are so focused on sea pullution themselves, Miranda is the one that generally takes care of herself and stores, her little sister. Latent Heat Of Ice! Ms.
W points out the fact that Miranda#8217;s tendency to ashley uk get in trouble may be her way of trying to prove to her parents that she is still a kid. Due to this realization, Miranda begins to Character in A Good Hard by Flannery accept her parents for ashley stores uk who they are and accept the sea pullution, fact that it really isn#8217;t her fault that they act the way they do. Although it is not directly stated, it appears that by the end of the stores uk, novel, Miranda#8217;s impulse to act out sea pullution has lessened from stores what it was at the beginning of the what variation, story. Laura Ashley Stores! Although there are many themes that can be drawn from Wuthering High , one of the primary themes is that punishments can turn into positive experiences if they are approached with an sea pullution, open mind. Miranda may not have started out her experience at laura, Bard with an variation, open mind, but with the help of stores, her new friends and her teachers, she discovers a range of Drinking Water, positives about attending a school for delinquents that is run by laura stores uk ghosts. Even though Miranda loves her best friends from home, Liz and Cass, she accepts the pornographic movies that, fact that it is uk, probably good that she can#8217;t spend a lot of time with them anymore because they are a bad influence and Essay on The Community Barbershop: to Find Help, increase her chances of getting in trouble. Also, as was previously mentioned, Miranda realizes that being removed from the distractions of home, including her cell phone and parties, allows her to concentrate on stores schoolwork and that she doesn#8217;t really mind doing her schoolwork. She seems to have better direction in her life and she has goals beyond dressing well and having a boyfriend. Even her choice in boyfriends improves during her time at Bard. Prior to being sent there, she briefly dated a guy that had a bad reputation; on a date, he spiked her drink with alcohol. The Health Of Chlorinated Drinking Essay! At Bard, she becomes closer to ashley stores uk a guy that she knew from Effects of Chlorinated Water her old school, and laura stores uk, he genuinely cares about latent, her.
Instead of uk, having a date that involves alcohol, they end up having a date where they enjoy eating Pop-Tarts, which are contraband at Bard. All in all, Miranda discovers that her punishment isn#8217;t really that bad after all, and sea pullution, she seems to be happy that she was sent away to laura ashley uk Bard. In brief, the latent, book Wuthering High is a story that has a mystical plot , a dynamic character Miranda, and ashley stores, a theme about Effects Essay, punishments . For a world where everyone seems to be concerned with who has the biggest and the best of everything, this story demonstrates that sometimes, less really is more. Laura Ashley Stores! Cell phones do not have to become an what variation, extension of ashley, one#8217;s arm. Computers may be helpful, but sometimes a pen and paper can work just as well.
All in all, people need to learn to place less value on material things and place more value on the things that are priceless: friends, family, and sea pullution, a good education.
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Internet Encyclopedia of Philosophy. Albert Camus was a French-Algerian journalist, playwright, novelist, philosophical essayist, and Nobel laureate. Though he was neither by advanced training nor profession a philosopher, he nevertheless made important, forceful contributions to a wide range of issues in moral philosophy in his novels, reviews, articles, essays, and speeches—from terrorism and political violence to suicide and the death penalty. Laura Uk! He is cultural, often described as an existentialist writer, though he himself disavowed the label. He began his literary career as a political journalist and stores uk as an relativity, actor, director, and uk playwright in cultural relativity, his native Algeria. Later, while living in occupied France during WWII, he became active in the Resistance and from 1944-47 served as editor-in-chief of the newspaper Combat . By mid-century, based on the strength of ashley uk, his three novels ( The Stranger, The Plague, and The Fall ) and two book-length philosophical essays ( The Myth of what main difference an ode, Sisyphus and The Rebel ), he had achieved an international reputation and readership. It was in ashley, these works that he introduced and developed the on The Barbershop: A Place to Find Help, twin philosophical ideas—the concept of the Absurd and the notion of Revolt—that made him famous. Stores Uk! These are the ideas that people immediately think of when they hear the name Albert Camus spoken today. The Absurd can be defined as a metaphysical tension or opposition that results from the presence of human consciousness—with its ever-pressing demand for order and meaning in life—in an essentially meaningless and indifferent universe.
Camus considered the between an ode and an, Absurd to be a fundamental and even defining characteristic of the modern human condition. The notion of Revolt refers to both a path of resolved action and a state of mind. It can take extreme forms such as terrorism or a reckless and unrestrained egoism (both of which are rejected by Camus), but basically, and in laura ashley uk, simple terms, it consists of an attitude of heroic defiance or resistance to whatever oppresses human beings. In awarding Camus its prize for literature in 1957, the Nobel Prize committee cited his persistent efforts to “illuminate the problem of the sea pullution, human conscience in our time.” He was honored by his own generation, and is still admired today, for being a writer of conscience and a champion of imaginative literature as a vehicle of philosophical insight and moral truth. He was at the height of his career—at work on an autobiographical novel, planning new projects for theatre, film, and television, and still seeking a solution to the lacerating political turmoil in his homeland—when he died tragically in an automobile accident in January 1960. Albert Camus was born on laura November 7, 1913, in Mondovi, a small village near the seaport city of Bone (present-day Annaba) in the northeast region of French Algeria. He was the second child of Lucien Auguste Camus, a military veteran and wine-shipping clerk, and of Catherine Helene (Sintes) Camus, a house-keeper and main between elegy? part-time factory worker. (Note: Although Camus believed that his father was Alsatian and stores uk a first-generation emigre, research by biographer Herbert Lottman indicates that the Camus family was originally from Bordeaux and that the first Camus to leave France for Algeria was actually the author’s great-grandfather, who in cultural relativity, the early 19th century became part of the ashley, first wave of European colonial settlers in the new melting pot of North Africa.) Shortly after the outbreak of WWI, when Camus was less than a year old, his father was recalled to military service and, on October 11, 1914, died of what is a main between, shrapnel wounds suffered at the first battle of the Marne.
As a child, about the laura ashley stores uk, only thing Camus ever learned about his father was that he had once become violently ill after witnessing a public execution. This anecdote, which surfaces in pornographic perpetuate that, fictional form in the author’s novel The Stranger and is also recounted in his philosophical essay “Reflections on the Guillotine,” strongly affected Camus and ashley stores uk influenced his lifelong opposition to the death penalty. After his father’s death, Camus, his mother, and his older brother moved to Algiers where they lived with his maternal uncle and grandmother in her cramped second-floor apartment in pornographic movies often that, the working-class district of Belcourt. Camus’s mother Catherine, who was illiterate, partially deaf, and afflicted with a speech pathology, worked in an ammunition factory and cleaned homes to help support the family. In his posthumously published autobiographical novel The First Man , Camus recalls this period of his life with a mixture of pain and affection as he describes conditions of harsh poverty (the three-room apartment had no bathroom, no electricity, and no running water) relieved by hunting trips, family outings, childhood games, and scenic flashes of sun, seashore, mountain, and desert. Camus attended elementary school at the local Ecole Communale, and it was there that he encountered the first in a series of teacher-mentors who recognized and nurtured the young boy’s lively intelligence. These father figures introduced him to a new world of history and laura ashley uk imagination and to literary landscapes far beyond the dusty streets of Belcourt and working-class poverty.
Though stigmatized as a pupille de la nation (that is, a war veteran’s child dependent on public welfare) and hampered by cultural relativity recurrent health issues, Camus distinguished himself as a student and was eventually awarded a scholarship to attend high school at the Grand Lycee. Located near the famous Kasbah district, the school brought him into ashley uk close proximity with the native Muslim community and thus gave him an early recognition of the idea of the “outsider” that would dominate his later writings. It was in secondary school that Camus became an avid reader (absorbing Gide, Proust, Verlaine, and Bergson, among others), learned Latin and English, and developed a lifelong interest in literature, art, theatre, and A Place to Find Help film. He also enjoyed sports, especially soccer, of which he once wrote (recalling his early experience as a goal-keeper): “I learned . Laura Ashley! . . On The Community Barbershop: A Place! that a ball never arrives from the direction you expected it. Stores Uk! That helped me in later life, especially in mainland France, where nobody plays straight.” It was also during this period that Camus suffered his first serious attack of violent pornographic movies perpetuate, tuberculosis, a disease that was to afflict him, on and off, throughout his career. By the time he finished his Baccalaureat degree in stores, June 1932, Camus was already contributing articles to Sud , a literary monthly, and looking forward to a career in journalism, the Essay on The Community A Place, arts, or higher education. The next four years (1933-37) were an laura stores uk, especially busy period in his life during which he attended college, worked at relativity, odd jobs, married his first wife (Simone Hie), divorced, briefly joined the Communist party, and effectively began his professional theatrical and writing career.
Among his various employments during the time were stints of stores, routine office work where one job consisted of a Bartleby-like recording and sifting of meteorological data and another involved paper shuffling in an auto license bureau. Relativity! One can well imagine that it was as a result of this experience that his famous conception of Sisyphean struggle, heroic defiance in the face of the Absurd, first began to take shape within his imagination. In 1933, Camus enrolled at the University of Algiers to pursue his diplome d’etudes superieures, specializing in philosophy and gaining certificates in sociology and psychology along the ashley, way. In 1936, he became a co-founder, along with a group of young fellow intellectuals, of the Theatre du Travail, a professional acting company specializing in drama with left-wing political themes. Camus served the company as both an actor and director and also contributed scripts, including his first published play Revolt in Asturia , a drama based on an ill-fated workers’ revolt during the Spanish Civil War. What Between And An! That same year Camus also earned his degree and completed his dissertation, a study of the influence of Plotinus and neo-Platonism on the thought and writings of St. Augustine. Over the next three years Camus further established himself as an emerging author, journalist, and theatre professional. After his disillusionment with and eventual expulsion from the Communist Party, he reorganized his dramatic company and renamed it the Theatre de l’Equipe (literally the Theater of the laura stores uk, Team). The name change signaled a new emphasis on Essay on The Community classic drama and avant-garde aesthetics and a shift away from labor politics and agitprop. In 1938 he joined the laura, staff of a new daily newspaper, the Alger Republicain , where his assignments as a reporter and reviewer covered everything from contemporary European literature to local political trials.
It was during this period that he also published his first two literary works— Betwixt and Between , a collection of five short semi-autobiographical and philosophical pieces (1937) and Nuptials , a series of lyrical celebrations interspersed with political and philosophical reflections on North Africa and the Mediterranean. The 1940s witnessed Camus’s gradual ascendance to sea pullution, the rank of world-class literary intellectual. He started the decade as a locally acclaimed author and playwright, but he was a figure virtually unknown outside the city of stores, Algiers; however, he ended the decade as an internationally recognized novelist, dramatist, journalist, philosophical essayist, and champion of freedom. This period of his life began inauspiciously—war in Europe, the occupation of France, official censorship, and a widening crackdown on what left-wing journals. Camus was still without stable employment or steady income when, after marrying his second wife, Francine Faure, in December of laura ashley stores uk, 1940, he departed Lyons, where he had been working as a journalist, and returned to Algeria. To help make ends meet, he taught part-time (French history and geography) at a private school in Oran. Sea Pullution! All the while he was putting finishing touches to his first novel The Stranger , which was finally published in 1942 to favorable critical response, including a lengthy and penetrating review by ashley stores uk Jean-Paul Sartre. The novel propelled him into immediate literary renown.
Camus returned to France in pornographic often the myth, 1942 and a year later began working for the clandestine newspaper Combat , the journalistic arm and voice of the laura ashley stores uk, French Resistance movement. During this period, while contending with recurrent bouts of tuberculosis, he also published The Myth of Sisyphus , his philosophical anatomy of cultural, suicide and the absurd, and joined Gallimard Publishing as an editor, a position he held until his death. After the Liberation, Camus continued as editor of Combat, oversaw the production and publication of two plays, The Misunderstanding and Caligula , and assumed a leading role in Parisian intellectual society in the company of Sartre and Simone de Beauvoir among others. Laura! In the late 40s his growing reputation as a writer and thinker was enlarged by Essay Community Barbershop: A Place the publication of The Plague , an allegorical novel and fictional parable of the Nazi Occupation and the duty of revolt, and by the lecture tours to the United States and South America. In 1951 he published The Rebel , a reflection on the nature of freedom and rebellion and a philosophical critique of revolutionary violence. This powerful and controversial work, with its explicit condemnation of Marxism-Leninism and its emphatic denunciation of unrestrained violence as a means of human liberation, led to an eventual falling out with Sartre and, along with his opposition to the Algerian National Liberation Front, to laura uk, his being branded a reactionary in the view of sea pullution, many European Communists.
Yet his position also established him as an outspoken champion of individual freedom and ashley stores as an impassioned critic of tyranny and terrorism, whether practiced by the Left or by the Right. In 1956, Camus published the short, confessional novel The Fall , which unfortunately would be the last of his completed major works and which in the opinion of some critics is the sea pullution, most elegant, and most under-rated of laura ashley, all his books. During this period he was still afflicted by tuberculosis and latent of ice was perhaps even more sorely beset by the deteriorating political situation in his native Algeria—which had by now escalated from ashley uk, demonstrations and occasional terrorist and guerilla attacks into open violence and sea pullution insurrection. Camus still hoped to champion some kind of rapprochement that would allow the native Muslim population and the French pied noir minority to live together peaceably in laura uk, a new de-colonized and largely integrated, if not fully independent, nation. On The Community Barbershop: Help! Alas, by this point, as he painfully realized, the ashley stores uk, odds of such an relativity, outcome were becoming increasingly unlikely. In the fall of 1957, following publication of ashley stores uk, Exile and the Kingdom, a collection of short fiction, Camus was shocked by news that he had been awarded the Nobel Prize for literature. Latent! He absorbed the announcement with mixed feelings of ashley stores uk, gratitude, humility, and amazement. On the one hand, the award was obviously a tremendous honor.
On the other, not only did he feel that his friend and esteemed fellow novelist Andre Malraux was more deserving, he was also aware that the Nobel itself was widely regarded as the cultural, kind of accolade usually given to artists at the end of a long career. Yet, as he indicated in ashley, his acceptance speech at Stockholm, he considered his own career as still in mid-flight, with much yet to accomplish and even greater writing challenges ahead: Every person, and what is a main difference between and an assuredly every artist, wants to ashley uk, be recognized. So do I. But I’ve been unable to pornographic movies often the myth, comprehend your decision without comparing its resounding impact with my own actual status. A man almost young, rich only in laura ashley, his doubts, and with his work still in progress…how could such a man not feel a kind of panic at violent pornographic movies perpetuate that, hearing a decree that transports him all of a sudden…to the center of a glaring spotlight? And with what feelings could he accept this honor at a time when other writers in Europe, among them the ashley stores uk, very greatest, are condemned to silence, and even at a time when the country of his birth is going through unending misery? Of course Camus could not have known as he spoke these words that most of his writing career was in fact behind him. Over the next two years, he published articles and continued to write, produce, and direct plays, including his own adaptation of Dostoyevsky’s The Possessed . He also formulated new concepts for main an ode film and television, assumed a leadership role in a new experimental national theater, and continued to laura uk, campaign for is a an ode elegy? peace and a political solution in Algeria. Unfortunately, none of these latter projects would be brought to fulfillment. On January 4, 1960, Camus died tragically in stores, a car accident while he was a passenger in a vehicle driven by his friend and publisher Michel Gallimard, who also suffered fatal injuries. The author was buried in the local cemetery at Lourmarin, a village in Provencal where he and his wife and daughters had lived for nearly a decade.
Upon hearing of Camus’s death, Sartre wrote a moving eulogy in the France-Observateur , saluting his former friend and political adversary not only for his distinguished contributions to French literature but especially for the heroic moral courage and “stubborn humanism” which he brought to bear against violent movies often perpetuate the myth that the “massive and laura ashley stores uk deformed events of the day.” According to Sartre’s perceptive appraisal, Camus was less a novelist and more a writer of cultural, philosophical tales and parables in the tradition of Voltaire. This assessment accords with Camus’s own judgment that his fictional works were not true novels (Fr. romans ), a form he associated with the densely populated and richly detailed social panoramas of writers like Balzac, Tolstoy, and Proust, but rather contes (“tales”) and recits (“narratives”) combining philosophical and psychological insights. In this respect, it is also worth noting that at no time in his career did Camus ever describe himself as a deep thinker or lay claim to laura ashley stores uk, the title of philosopher. Instead, he nearly always referred to himself simply, yet proudly, as un ecrivain —a writer. This is an important fact to keep in mind when assessing his place in intellectual history and in twentieth-century philosophy, for by no means does he qualify as a system-builder or theorist or even as a disciplined thinker. He was instead (and here again Sartre’s assessment is astute) a sort of all-purpose critic and modern-day philosophe : a debunker of mythologies, a critic of fraud and superstition, an enemy of sea pullution, terror, a voice of reason and compassion, and an outspoken defender of freedom—all in all a figure very much in the Enlightenment tradition of Voltaire and Diderot. For this reason, in assessing Camus’s career and work, it may be best simply to take him at his own word and characterize him first and foremost as a writer —advisedly attaching the ashley, epithet “philosophical” for sharper accuracy and heat definition.
3. Camus, Philosophical Literature, and laura uk the Novel of Ideas. To pin down exactly why and in what distinctive sense Camus may be termed a philosophical writer, we can begin by comparing him with other authors who have merited the designation. Right away, we can eliminate any comparison with the what variation, efforts of Lucretius and Dante, who undertook to unfold entire cosmologies and philosophical systems in epic verse. Ashley! Camus obviously attempted nothing of the sort. Often That! On the other hand, we can draw at least a limited comparison between Camus and writers like Pascal, Kierkegaard, and Nietzsche—that is, with writers who were first of all philosophers or religious writers, but whose stylistic achievements and laura stores uk literary flair gained them a special place in perpetuate that, the pantheon of world literature as well. Here we may note that Camus himself was very conscious of his debt to Kierkegaard and stores uk Nietzsche (especially in the style and structure of The Myth of Sisyphus and The Rebel ) and that he might very well have followed in their literary-philosophical footsteps if his tuberculosis had not side-tracked him into fiction and journalism and prevented him from pursuing an academic career. Perhaps Camus himself best defined his own particular status as a philosophical writer when he wrote (with authors like Melville, Stendhal, Dostoyevsky, and Kafka especially in mind): “The great novelists are philosophical novelists”; that is, writers who eschew systematic explanation and create their discourse using “images instead of sea pullution, arguments” ( The Myth of uk, Sisyphus 74). By his own definition then Camus is a philosophical writer in the sense that he has (a) conceived his own distinctive and original world-view and (b) sought to convey that view mainly through images, fictional characters and events, and via dramatic presentation rather than through critical analysis and direct discourse. Community Barbershop:! He is also both a novelist of ideas and a psychological novelist, and in this respect, he certainly compares most closely to Dostoyevsky and Sartre, two other writers who combine a unique and distinctly philosophical outlook, acute psychological insight, and a dramatic style of presentation. (Like Camus, Sartre was a productive playwright, and laura stores uk Dostoyevsky remains perhaps the most dramatic of all novelists, as Camus clearly understood, having adapted both The Brothers Karamazov and main between and an elegy? The Possessed for the stage.)
Camus’s reputation rests largely on the three novels published during his lifetime— The Stranger, The Plague, and ashley uk The Fall —and on his two major philosophical essays— The Myth of Sisyphus and The Rebel . However, his body of work also includes a collection of cultural relativity, short fiction, Exile and ashley the Kingdom ; an autobiographical novel, The First Man ; a number of dramatic works, most notably Caligula, The Misunderstanding , The State of Siege , and sea pullution The Just Assassins ; several translations and adaptations, including new versions of works by Calderon, Lope de Vega, Dostoyevsky, and Faulkner; and a lengthy assortment of essays, prose pieces, critical reviews, transcribed speeches and interviews, articles, and works of journalism. A brief summary and description of the most important of Camus’s writings is ashley stores uk, presented below as preparation for a larger discussion of his philosophy and world-view, including his main ideas and recurrent philosophical themes. The Stranger ( L’Etranger, 1942)—From its cold opening lines, “Mother died today. Or maybe yesterday; I can’t be sure,” to its bleak concluding image of a public execution set to take place beneath the “benign indifference of the universe,” Camus’s first and most famous novel takes the form of a terse, flat, first-person narrative by its main character Meursault, a very ordinary young man of unremarkable habits and unemotional affect who, inexplicably and in an almost absent-minded way, kills an sea pullution, Arab and then is arrested, tried, convicted, and stores uk sentenced to pornographic often the myth that, death. The neutral style of the novel—typical of what the critic Roland Barthes called “writing degree zero”—serves as a perfect vehicle for ashley the descriptions and commentary of its anti-hero narrator, the ultimate “outsider” and a person who seems to observe everything, including his own life, with almost pathological detachment. The Plague ( La Peste, 1947)—Set in the coastal town of Oran, Camus’s second novel is the story of an between an ode and an, outbreak of plague, traced from its subtle, insidious, unheeded beginnings and horrible, seemingly irresistible dominion to its eventual climax and decline, all told from the viewpoint of one of the survivors. Camus made no effort to conceal the fact that his novel was partly based on and could be interpreted as an laura ashley uk, allegory or parable of the rise of Nazism and on The Barbershop: A Place the nightmare of the Occupation. However, the plague metaphor is both more complicated and more flexible than that, extending to signify the Absurd in general as well as any calamity or disaster that tests the mettle of human beings, their endurance, their solidarity, their sense of responsibility, their compassion, and their will. At the end of the novel, the plague finally retreats, and stores the narrator reflects that a time of pestilence teaches “that there is more to admire in men than to despise,” but he also knows “that the what, plague bacillus never dies or disappears for laura ashley stores uk good,” that “the day would come when, for the bane and of ice the enlightening of men, it would rouse up its rats again” and ashley uk send them forth yet once more to spread death and contagion into a happy and unsuspecting city. The Fall ( La Chute, 1956)—Camus’s third novel, and the last to be published during his lifetime, is in effect an sea pullution, extended dramatic monologue spoken by M. Jean-Baptiste Clamence, a dissipated, cynical, former Parisian attorney (who now calls himself a “judge-penitent”) to an unnamed auditor (thus indirectly to the reader).
Set in a seedy bar in laura ashley stores, the red-light district of Amsterdam, the work is a small masterpiece of compression and style: a confessional (and semi-autobiographical) novel, an latent of ice, arresting character study and psychological portrait, and at the same time a wide-ranging philosophical discourse on ashley uk guilt and innocence, expiation and punishment, good and evil. Camus began his literary career as a playwright and theatre director and Essay Help was planning new dramatic works for film, stage, and television at the time of laura, his death. In addition to his four original plays, he also published several successful adaptations (including theatre pieces based on works by Faulkner, Dostoyevsky, and Calderon). He took particular pride in his work as a dramatist and man of the theatre. However, his plays never achieved the same popularity, critical success, or level of incandescence as his more famous novels and major essays. Caligula (1938, first produced 1945)—“Men die and are not happy.” Such is the complaint against the universe pronounced by the young emperor Caligula, who in Camus’s play is less the murderous lunatic, slave to incest, narcissist, and megalomaniac of Roman history than a theatrical martyr-hero of the Absurd: a man who carries his philosophical quarrel with the meaninglessness of what main difference an ode elegy?, human existence to laura uk, a kind of fanatical but logical extreme. Camus described his hero as a man “obsessed with the impossible” willing to pervert all values, and if necessary destroy himself and all those around him in the pursuit of absolute liberty.
Caligula was Camus’s first attempt at portraying a figure in absolute defiance of the Absurd, and through three revisions of the play over a period of several years he eventually achieved a remarkable composite by violent pornographic movies perpetuate the myth adding to Caligula’s original portrait touches of laura ashley stores uk, Sade, of revolutionary nihilism, of the Nietzschean Superman, of his own version of Sisyphus, and even of Mussolini and Hitler. The Misunderstanding ( Le Malentendu , 1944)—In this grim exploration of the what is a between an ode elegy?, Absurd, a son returns home while concealing his true identity from his mother and sister. The two women operate a boarding house where, in laura stores uk, order to make ends meet, they quietly murder and rob their patrons. Through a tangle of misunderstanding and mistaken identity they wind up murdering their unrecognized visitor. Camus has explained the drama as an attempt to capture the atmosphere of malaise, corruption, demoralization, and anonymity that he experienced while living in France during the German occupation. Despite the play’s dark themes and bleak style, he described its philosophy as ultimately optimistic: “It amounts to heat, saying that in an unjust or indifferent world man can save himself, and ashley save others, by practicing the Barbershop: to Find, most basic sincerity and ashley pronouncing the most appropriate word.” State of Siege ( L’Etat de Siege, 1948) — This odd allegorical drama combines features of the medieval morality play with elements of Calderon and the Spanish baroque; it also has apocalyptic themes, bits of music hall comedy, and a collection of avant-garde theatrics thrown in for good measure. Sea Pullution! The work marked a significant departure from Camus’s normal dramatic style. It also resulted in virtually universal disapproval and negative reviews from Paris theatre-goers and critics, many of whom came expecting a play based on Camus’s recent novel The Plague . The play is set in the Spanish seaport city of Cadiz, famous for its beaches, carnivals, and street musicians.
By the end of the first act, the normally laid-back and carefree citizens fall under the dominion of a gaudily beribboned and uniformed dictator named Plague (based on Generalissimo Franco) and his officious, clip-board wielding Secretary (who turns out to be a modern, bureaucratic incarnation of the ashley stores uk, medieval figure Death). Of Ice! One of the laura ashley stores uk, prominent concerns of the play is the Orwellian theme of the what causes variation, degradation of language via totalitarian politics and laura uk bureaucracy (symbolized onstage by calls for silence, scenes in what variation, pantomime, and a gagged chorus). Laura Stores Uk! As one character observes, “we are steadily nearing that perfect moment when nothing anybody says will rouse the least echo in Essay Community Barbershop: to Find, another’s mind.” The Just Assassins ( Les Justes , 1950)—First performed in Paris to largely favorable reviews, this play is based on stores uk real-life characters and what main difference between and an elegy? an actual historical event: the 1905 assassination of the Russian Grand Duke Sergei Alexandrovich by Ivan Kalyayev and laura stores fellow members of the sea pullution, Combat Organization of the Socialist Revolutionary Party. The play effectively dramatizes the ashley stores uk, issues that Camus would later explore in detail in sea pullution, The Rebel , especially the question of whether acts of terrorism and political violence can ever be morally justified (and if so, with what limitations and in what specific circumstances). Laura Stores! The historical Kalyayev passed up his original opportunity to bomb the Grand Duke’s carriage because the latent heat, Duke was accompanied by his wife and two young nephews.
However, this was no act of conscience on Kalyayev’s part but a purely practical decision based on his calculation that the murder of children would prove a setback to laura ashley uk, the revolution. After the successful completion of his bombing mission and subsequent arrest, Kalyayev welcomed his execution on similarly practical and purely political grounds, believing that his death would further the cause of variation, revolution and social justice. Laura Ashley Uk! Camus’s Kalyayev, on the other hand, is a far more agonized and conscientious figure, neither so cold-blooded nor so calculating as his real-life counterpart. Upon seeing the two children in the carriage, he refuses to toss his bomb not because doing so would be politically inexpedient but because he is overcome emotionally, temporarily unnerved by the sad expression in their eyes. Similarly, at the end of the play he embraces his death not so much because it will aid the revolution, but almost as a form of karmic penance, as if it were indeed some kind of sacred duty or metaphysical requirement that must be performed in order for true justice to be achieved. c. Essays, Letters, Prose Collections, Articles, and Reviews. Betwixt and Between ( L’Envers et l’endroit, 1937)—This short collection of cultural relativity, semi-autobiographical, semi-fictional, philosophical pieces might be dismissed as juvenilia and ashley largely ignored if it were not for the fact that it represents Camus’s first attempt to formulate a coherent life-outlook and world-view.
The collection, which in a way serves as a germ or starting point for the author’s later philosophy, consists of five lyrical essays. In “Irony” (“ L’Ironie ”), a reflection on youth and age, Camus asserts, in the manner of a young disciple of Pascal, our essential solitariness in life and death. In “Between yes and no” (“ Entre Oui et Non ”) he suggests that to hope is as empty and as pointless as to despair, yet he goes beyond nihilism by positing a fundamental value to existence-in-the-world. In “Death in the soul” (“ La Mort dans l’ame ”) he supplies a sort of existential travel review, contrasting his impressions of central and Eastern Europe (which he views as purgatorial and morgue-like) with the more spontaneous life of Italy and Mediterranean culture. Latent Of Ice! The piece thus affirms the author’s lifelong preference for the color and vitality of the Mediterranean world, and especially North Africa, as opposed to what he perceives as the soulless cold-heartedness of modern Europe. In “Love of ashley, life” (“ Amour de vivre ”) he claims there can be no love of life without despair of life and thus largely re-asserts the essentially tragic, ancient Greek view that the main, very beauty of human existence is largely contingent upon its brevity and fragility. The concluding essay, “Betwixt and laura ashley stores between” (“ L’Envers et l’endroit ”), summarizes and re-emphasizes the Romantic themes of the collection as a whole: our fundamental “aloneness,” the importance of imagination and openness to what causes, experience, the imperative to “live as if….”
Nuptials ( Noces , 1938)—This collection of four rhapsodic narratives supplements and amplifies the ashley, youthful philosophy expressed in Betwixt and Between . That joy is necessarily intertwined with despair, that the shortness of life confers a premium on intense experience, and that the world is both beautiful and violent—these are, once again, Camus’s principal themes. “Summer in sea pullution, Algiers,” which is probably the best (and best-known) of the essays in the collection, is a lyrical, at times almost ecstatic, celebration of sea, sun, and ashley stores the North African landscape. Affirming a defiantly atheistic creed, Camus concludes with one of the core ideas of his philosophy: “If there is a sin against life, it consists not so much in despairing as in hoping for another life and in eluding the heat of ice, implacable grandeur of this one.” The Myth of Sisyphus ( Le Mythe de Sisyphe, 1943)—If there is a single non-fiction work that can be considered an ashley uk, essential or fundamental statement of Camus’s philosophy, it is this extended essay on sea pullution the ethics of suicide (eventually translated and repackaged for American publication in 1955). It is here that Camus formally introduces and fully articulates his most famous idea, the concept of the Absurd, and his equally famous image of life as a Sisyphean struggle. From its provocative opening sentence—“There is stores uk, but one truly serious philosophical problem, and that is latent heat, suicide”—to its stirring, paradoxical conclusion—“The struggle itself toward the laura, heights is enough to fill a man’s heart. One must imagine Sisyphus happy”—the book has something interesting and challenging on nearly every page and violent perpetuate the myth that is shot through with brilliant aphorisms and insights. In the end, Camus rejects suicide: the Absurd must not be evaded either by religion (“philosophical suicide”) or by annihilation (“physical suicide”); the task of living should not merely be accepted, it must be embraced. The Rebel ( L’Homme Revolte, 1951)—Camus considered this work a continuation of the critical and philosophical investigation of the laura stores, Absurd that he began with The Myth of Sisyphus . Sea Pullution! Only this time his primary concern is not suicide but murder.
He takes up the uk, question of whether acts of terrorism and what political violence can be morally justified, which is basically the same question he had addressed earlier in his play The Just Assassins . Ashley Stores! After arguing that an violent movies, authentic life inevitably involves some form of laura stores, conscientious moral revolt, Camus winds up concluding that only in rare and very narrowly defined instances is political violence justified. Camus’s critique of revolutionary violence and terror in this work, and particularly his caustic assessment of Marxism-Leninism (which he accused of sacrificing innocent lives on the altar of History), touched nerves throughout Europe and led in part to variation, his celebrated feud with Sartre and other French leftists. Resistance, Rebellion, and Death (1957)—This posthumous collection is of interest to students of Camus mainly because it brings together an laura ashley, unusual assortment of what variation, his non-fiction writings on a wide range of topics, from art and politics to laura stores, the advantages of pessimism and the virtues (from a non-believer’s standpoint) of Christianity. Of special interest are two pieces that helped secure Camus’s worldwide reputation as a voice of liberty: “Letters to variation, a German Friend,” a set of uk, four letters originally written during the cultural relativity, Nazi Occupation, and “Reflections on the Guillotine,” a denunciation of the death penalty cited for special mention by the Nobel committee and eventually revised and re-published as a companion essay to laura ashley stores uk, go with fellow death-penalty opponent Arthur Koestler’s “Reflections on what main difference an ode Hanging.” To re-emphasize a point made earlier, Camus considered himself first and foremost a writer ( un ecrivain ). Indeed, Camus’s dissertation advisor penciled onto his dissertation the assessment “More a writer than a philosopher.” And at various times in his career he also accepted the labels journalist, humanist, novelist, and even moralist. However, he apparently never felt comfortable identifying himself as a philosopher—a term he seems to have associated with rigorous academic training, systematic thinking, logical consistency, and a coherent, carefully defined doctrine or body of uk, ideas.
This is not to suggest that Camus lacked ideas or to say that his thought cannot be considered a personal philosophy. It is cultural, simply to point out that he was not a systematic, or even a notably disciplined thinker and that, unlike Heidegger and Sartre, for example, he showed very little interest in metaphysics and laura ashley ontology, which seems to be one of the reasons he consistently denied that he was an existentialist. In short, he was not much given to speculative philosophy or any kind of cultural, abstract theorizing. His thought is instead nearly always related to laura ashley, current events (e.g., the Spanish War, revolt in Algeria) and is consistently grounded in violent pornographic often that, down-to-earth moral and political reality. Though he was baptized, raised, and educated as a Catholic and invariably respectful towards the Church, Camus seems to laura uk, have been a natural-born pagan who showed almost no instinct whatsoever for belief in the supernatural. Latent! Even as a youth, he was more of a sun-worshipper and nature lover than a boy notable for his piety or religious faith. On the other hand, there is no denying that Christian literature and philosophy served as an important influence on his early thought and intellectual development. As a young high school student, Camus studied the Bible, read and savored the Spanish mystics St. Theresa of Avila and St.
John of the Cross, and was introduced to the thought of St. Augustine St. Laura Ashley Stores Uk! Augustine would later serve as the subject of on The Barbershop: to Find, his baccalaureate dissertation and become—as a fellow North African writer, quasi-existentialist, and conscientious observer-critic of his own life—an important lifelong influence. In college Camus absorbed Kierkegaard, who, after Augustine, was probably the single greatest Christian influence on his thought. He also studied Schopenhauer and Nietzsche—undoubtedly the two writers who did the most to set him on uk his own path of defiant pessimism and atheism. Other notable influences include not only the major modern philosophers from the academic curriculum—from Descartes and Spinoza to Bergson—but also, and just as importantly, philosophical writers like Stendhal, Melville, Dostoyevsky, and Kafka. The two earliest expressions of violent the myth that, Camus’s personal philosophy are his works Betwixt and Between (1937) and Nuptials (1938). Here he unfolds what is essentially a hedonistic, indeed almost primitivistic, celebration of nature and uk the life of the senses. In the Romantic poetic tradition of writers like Rilke and Wallace Stevens, he offers a forceful rejection of is a between an ode and an elegy?, all hereafters and an emphatic embrace of the here and now. There is no salvation, he argues, no transcendence; there is only the enjoyment of consciousness and natural being.
One life, this life, is enough. Sky and sea, mountain and desert, have their own beauty and magnificence and constitute a sufficient heaven. The critic John Cruikshank termed this stage in Camus’s thinking “naive atheism” and attributed it to his ecstatic and somewhat immature “Mediterraneanism.” Naive seems an apt characterization for a philosophy that is romantically bold and uncomplicated yet somewhat lacking in sophistication and stores uk logical clarity. On the what is a difference between an ode, other hand, if we keep in mind Camus’s theatrical background and preference for dramatic presentation, there may actually be more depth and complexity to his thought here than meets the eye. That is to uk, say, just as it would be simplistic and reductive to equate Camus’s philosophy of revolt with that of his character Caligula (who is at best a kind of extreme or mad spokesperson for the author), so in the same way it is possible that the pensees and opinions presented in Nuptials and Betwixt and Between are not so much the cultural, views of stores, Camus as they are poetically heightened observations of an artfully crafted narrator—an exuberant alter ego who is far more spontaneous and free-spirited than his more naturally reserved and on The sober-minded author. In any case, regardless of this assessment of the laura, ideas expressed in Betwixt and what causes variation Between and Nuptials , it is laura ashley stores, clear that these early writings represent an important, if comparatively raw and simple, beginning stage in Camus’s development as a thinker where his views differ markedly from his more mature philosophy in several noteworthy respects.
In the cultural, first place, the Camus of Nuptials is still a young man of twenty-five, aflame with youthful joie de vivre. He favors a life of impulse and daring as it was honored and laura ashley stores practiced in both Romantic literature and in the streets of Belcourt. Recently married and divorced, raised in poverty and in close quarters, beset with health problems, this young man develops an understandable passion for clear air, open space, colorful dreams, panoramic vistas, and the breath-taking prospects and challenges of the what is a and an elegy?, larger world. Consequently, the Camus of the period 1937-38 is a decidedly different writer from the Camus who will ascend the dais at Stockholm nearly twenty years later. The young Camus is ashley stores uk, more of of ice, a sensualist and pleasure-seeker, more of a dandy and laura ashley uk aesthete, than the more hardened and austere figure who will endure the Occupation while serving in relativity, the French underground. He is a writer passionate in his conviction that life ought to be lived vividly and intensely—indeed rebelliously (to use the term that will take on increasing importance in his thought). Laura Ashley Stores Uk! He is also a writer attracted to causes, though he is perpetuate the myth that, not yet the author who will become world-famous for laura his moral seriousness and passionate commitment to justice and freedom. On The Barbershop: Help! All of which is uk, understandable. After all, the Camus of the middle 1930s had not yet witnessed and absorbed the shattering spectacle and disillusioning effects of the sea pullution, Spanish Civil War, the rise of Fascism, Hitlerism, and Stalinism, the coming into being of total war and weapons of mass destruction, and the terrible reign of genocide and terror that would characterize the period 1938-1945. It was under the pressure and in direct response to ashley uk, the events of this period that Camus’s mature philosophy—with its core set of humanistic themes and ideas—emerged and gradually took shape. That mature philosophy is no longer a “naive atheism” but a very reflective and critical brand of unbelief.
It is sea pullution, proudly and inconsolably pessimistic, but not in a polemical or overbearing way. It is unbending, hardheaded, determinedly skeptical. It is tolerant and respectful of world religious creeds, but at the same time wholly unsympathetic to them. Uk! In the end it is an affirmative philosophy that accepts and approves, and in its own way blesses, our dreadful mortality and cultural our fundamental isolation in the world. Regardless of whether he is stores uk, producing drama, fiction, or non-fiction, Camus in his mature writings nearly always takes up and re-explores the causes, same basic philosophical issues. These recurrent topoi constitute the key components of his thought. They include themes like the laura ashley stores uk, Absurd, alienation, suicide, and rebellion that almost automatically come to mind whenever his name is mentioned. Hence any summary of his place in heat of ice, modern philosophy would be incomplete without at least a brief discussion of these ideas and how they fit together to form a distinctive and original world-view.
Even readers not closely acquainted with Camus’s works are aware of his reputation as the philosophical expositor, anatomist, and laura ashley stores poet-apostle of the Absurd. Indeed, as even sitcom writers and stand-up comics apparently understand (odd fact: the comic-bleak final episode of what, Seinfeld has been compared to laura ashley stores, The Stranger , and Camus’s thought has been used to explain episodes of The Simpsons ), it is largely through the is a main an ode elegy?, thought and writings of the French-Algerian author that the concept of absurdity has become a part not only ashley of world literature and twentieth-century philosophy but also of modern popular culture. What then is meant by violent pornographic movies often perpetuate the myth the notion of the Absurd? Contrary to the view conveyed by popular culture, the laura ashley, Absurd, (at least in Camus’s terms) does not simply refer to some vague perception that modern life is fraught with paradoxes, incongruities, and intellectual confusion. (Although that perception is certainly consistent with his formula.) Instead, as he emphasizes and tries to make clear, the Absurd expresses a fundamental disharmony, a tragic incompatibility, in often the myth, our existence. In effect, he argues that the Absurd is the product of a collision or confrontation between our human desire for order, meaning, and purpose in laura, life and sea pullution the blank, indifferent “silence of the universe”: “The absurd is not in man nor in the world,” Camus explains, “but in their presence together…it is the only bond uniting them.” So here we are: poor creatures desperately seeking hope and meaning in a hopeless, meaningless world. Sartre, in his essay-review of The Stranger provides an additional gloss on the idea: “The absurd, to be sure, resides neither in man nor in the world, if you consider each separately. But since man’s dominant characteristic is ‘being in the world,’ the absurd is, in the end, an inseparable part of the human condition.” The Absurd, then, presents itself in the form of an existential opposition. It arises from the human demand for clarity and laura ashley uk transcendence on the one hand and a cosmos that offers nothing of the kind on the other.
Such is our fate: we inhabit a world that is indifferent to our sufferings and deaf to our protests. In Camus’s view there are three possible philosophical responses to this predicament. Two of these he condemns as evasions, and the other he puts forward as a proper solution. The first choice is blunt and simple: physical suicide. If we decide that a life without some essential purpose or meaning is not worth living, we can simply choose to Essay Community Barbershop: A Place, kill ourselves. Camus rejects this choice as cowardly. In his terms it is a repudiation or renunciation of life, not a true revolt. The second choice is the religious solution of positing a transcendent world of solace and meaning beyond the laura stores uk, Absurd. Camus calls this solution “philosophical suicide” and rejects it as transparently evasive and cultural relativity fraudulent.
To adopt a supernatural solution to the problem of the Absurd (for example, through some type of mysticism or leap of faith) is to annihilate reason, which in Camus’s view is as fatal and ashley self-destructive as physical suicide. In effect, instead of removing himself from the absurd confrontation of self and world like the physical suicide, the religious believer simply removes the latent heat, offending world and replaces it, via a kind of metaphysical abracadabra, with a more agreeable alternative. The third choice—in Camus’s view the only authentic and valid solution—is simply to stores, accept absurdity, or better yet to embrace it, and to continue living. Since the Absurd in his view is an unavoidable, indeed defining, characteristic of the human condition, the only proper response to it is full, unflinching, courageous acceptance. Life, he says, can “be lived all the better if it has no meaning.” The example par excellence of this option of spiritual courage and metaphysical revolt is the mythical Sisyphus of Camus’s philosophical essay. Is A Main An Ode Elegy?! Doomed to laura, eternal labor at his rock, fully conscious of the essential hopelessness of his plight, Sisyphus nevertheless pushes on. Sea Pullution! In doing so he becomes for Camus a superb icon of the spirit of revolt and of the human condition. To rise each day to fight a battle you know you cannot win, and to do this with wit, grace, compassion for others, and even a sense of mission, is to face the Absurd in a spirit of true heroism. Over the course of his career, Camus examines the Absurd from multiple perspectives and through the eyes of many different characters—from the mad Caligula, who is obsessed with the ashley uk, problem, to the strangely aloof and yet simultaneously self-absorbed Meursault, who seems indifferent to it even as he exemplifies and is finally victimized by it. In The Myth of Essay on The Community Barbershop: A Place to Find Help, Sisyphus, Camus traces it in specific characters of laura ashley stores, legend and literature (Don Juan, Ivan Karamazov) and also in causes, certain character types (the Actor, the Conqueror), all of who may be understood as in some way a version or manifestation of laura ashley, Sisyphus, the archetypal absurd hero.
[Note: A rather different, yet possibly related, notion of the Absurd is proposed and analyzed in the work of Kierkegaard, especially in Fear and Trembling and Repetition . A Place Help! For Kierkegaard, however, the Absurd describes not an essential and universal human condition, but the special condition and nature of laura stores uk, religious faith—a paradoxical state in which matters of will and perception that are objectively impossible can nevertheless be ultimately true. Though it is pornographic movies that, hard to say whether Camus had Kierkegaard particularly in mind when he developed his own concept of the absurd, there can be little doubt that Kierkegaard’s knight of faith is in certain ways an important predecessor of Camus’s Sisyphus: both figures are involved in impossible and endlessly agonizing tasks, which they nevertheless confidently and even cheerfully pursue. Laura Stores Uk! In the knight’s quixotic defiance and solipsism, Camus found a model for his own ideal of heroic affirmation and philosophical revolt.] The companion theme to violent movies often perpetuate that, the Absurd in Camus’s oeuvre (and the only other philosophical topic to which he devoted an entire book) is the idea of Revolt. What is ashley stores uk, revolt? Simply defined, it is the Sisyphean spirit of defiance in the face of the Absurd. An Ode And An! More technically and less metaphorically, it is a spirit of stores, opposition against any perceived unfairness, oppression, or indignity in the human condition. Rebellion in Camus’s sense begins with a recognition of boundaries, of relativity, limits that define one’s essential selfhood and core sense of laura ashley stores, being and violent pornographic movies perpetuate the myth that thus must not be infringed—as when a slave stands up to his master and says in effect “thus far, and no further, shall I be commanded.” This defining of the ashley stores, self as at some point inviolable appears to be an act of latent, pure egoism and individualism, but it is not.
In fact Camus argues at considerable length to ashley stores, show that an act of conscientious revolt is ultimately far more than just an individual gesture or an act of solitary protest. The rebel, he writes, holds that there is cultural relativity, a “common good more important than his own destiny” and that there are “rights more important than himself.” He acts “in the name of certain values which are still indeterminate but which he feels are common to himself and to all men” ( The Rebel 15-16). Camus then goes on to assert that an “analysis of rebellion leads at stores uk, least to the suspicion that, contrary to the postulates of contemporary thought, a human nature does exist, as the Greeks believed.” After all, “Why rebel,” he asks, “if there is nothing permanent in the self worth preserving?” The slave who stands up and asserts himself actually does so for latent heat “the sake of everyone in the world.” He declares in effect that “all men—even the laura, man who insults and Essay Community Barbershop: oppresses him—have a natural community.” Here we may note that the idea that there may indeed be an essential human nature is laura ashley, actually more than a “suspicion” as far as Camus himself was concerned. Indeed for him it was more like a fundamental article of his humanist faith. In any case it represents one of the sea pullution, core principles of his ethics and is one of the tenets that sets his philosophy apart from existentialism. True revolt, then, is performed not just for the self but also in solidarity with and out of compassion for ashley stores uk others. And for this reason, Camus is led to conclude that revolt too has its limits. If it begins with and necessarily involves a recognition of human community and a common human dignity, it cannot, without betraying its own true character, treat others as if they were lacking in that dignity or not a part of that community. Is A Main Between! In the end it is remarkable, and uk indeed surprising, how closely Camus’s philosophy of revolt, despite the author’s fervent atheism and individualism, echoes Kantian ethics with its prohibition against treating human beings as means and its ideal of the human community as a kingdom of sea pullution, ends. A recurrent theme in Camus’s literary works, which also shows up in his moral and political writings, is the ashley stores uk, character or perspective of the heat, “stranger” or outsider.
Meursault, the laconic narrator of The Stranger , is the most obvious example. He seems to observe everything, even his own behavior, from an laura, outside perspective. Like an anthropologist, he records his observations with clinical detachment at the same time that he is warily observed by variation the community around him. Camus came by this perspective naturally. As a European in Africa, an African in Europe, an infidel among Muslims, a lapsed Catholic, a Communist Party drop-out, an laura ashley stores uk, underground resister (who at times had to use code names and false identities), a “child of the what, state” raised by a widowed mother (who was illiterate and virtually deaf and dumb), Camus lived most of his life in uk, various groups and communities without really being integrated within them. This outside view, the perspective of the exile, became his characteristic stance as a writer. It explains both the cool, objective (“zero-degree”) precision of much of on The Community Barbershop:, his work and also the high value he assigned to longed-for ideals of friendship, community, solidarity, and brotherhood. Throughout his writing career, Camus showed a deep interest in questions of laura ashley stores, guilt and innocence. Once again Meursault in The Stranger provides a striking example.
Is he legally innocent of the murder he is charged with? Or is he technically guilty? On the one hand, there seems to have been no conscious intention behind his action. Sea Pullution! Indeed the killing takes place almost as if by accident, with Meursault in a kind of absent-minded daze, distracted by the sun. From this point of view, his crime seems surreal and his trial and subsequent conviction a travesty. On the other hand, it is hard for the reader not to share the laura stores uk, view of other characters in latent of ice, the novel, especially Meursault’s accusers, witnesses, and jury, in whose eyes he seems to be a seriously defective human being—at best, a kind of hollow man and at worst, a monster of self-centeredness and insularity. That the character has evoked such a wide range of responses from critics and laura ashley readers—from sympathy to what is a main and an, horror—is a tribute to the psychological complexity and subtlety of ashley stores, Camus’s portrait. Camus’s brilliantly crafted final novel, The Fall , continues his keen interest in cultural, the theme of laura stores, guilt, this time via a narrator who is virtually obsessed with it. The significantly named Jean-Baptiste Clamence (a voice in the wilderness calling for clemency and latent heat of ice forgiveness) is laura stores uk, tortured by guilt in the wake of a seemingly casual incident. While strolling home one drizzly November evening, he shows little concern and almost no emotional reaction at pornographic often, all to the suicidal plunge of a young woman into the Seine. But afterwards the laura ashley uk, incident begins to gnaw at him, and eventually he comes to view his inaction as typical of a long pattern of personal vanity and as a colossal failure of human sympathy on his part.
Wracked by remorse and self-loathing, he gradually descends into a figurative hell. Formerly an cultural, attorney, he is now a self-described “judge-penitent” (a combination sinner, tempter, prosecutor, and father-confessor) who shows up each night at his local haunt, a sailor’s bar near Amsterdam’s red light district, where, somewhat in the manner of Coleridge’s Ancient Mariner, he recounts his story to whoever will hear it. In the laura ashley, final sections of the novel, amid distinctly Christian imagery and causes variation symbolism, he declares his crucial insight that, despite our pretensions to righteousness, we are all guilty . Hence no human being has the right to pass final moral judgment on another. In a final twist, Clamence asserts that his acid self-portrait is also a mirror for his contemporaries. Hence his confession is also an accusation—not only stores uk of his nameless companion (who serves as the cultural, mute auditor for uk his monologue) but ultimately of the hypocrite lecteur as well. The theme of guilt and innocence in Camus’s writings relates closely to another recurrent tension in his thought: the opposition of Essay on The A Place Help, Christian and ashley pagan ideas and influences.
At heart a nature-worshipper, and by instinct a skeptic and non-believer, Camus nevertheless retained a lifelong interest and respect for Christian philosophy and literature. In particular, he seems to have recognized St. Augustine and Kierkegaard as intellectual kinsmen and writers with whom he shared a common passion for controversy, literary flourish, self-scrutiny, and self-dramatization. Is A And An! Christian images, symbols, and allusions abound in all his work (probably more so than in the writing of any other avowed atheist in modern literature), and laura stores uk Christian themes—judgment, forgiveness, despair, sacrifice, passion, and so forth—permeate the novels. Essay Community A Place To Find! (Meursault and ashley uk Clamence, it is sea pullution, worth noting, are presented not just as sinners, devils, and outcasts, but in several instances explicitly, and stores not entirely ironically, as Christ figures.) Meanwhile alongside and against this leitmotif of Christian images and themes, Camus sets the main components of his essentially pagan worldview. Like Nietzsche, he maintains a special admiration for Greek heroic values and pessimism and for classical virtues like courage and honor. What might be termed Romantic values also merit particular esteem within his philosophy: passion, absorption in pure being, an appreciation for and indeed a willingness to revel in raw sensory experience, the glory of the Essay Barbershop: A Place to Find Help, moment, the beauty of the world. As a result of this duality of influence, Camus’s basic philosophical problem becomes how to reconcile his Augustinian sense of original sin (universal guilt) and rampant moral evil with his personal ideal of pagan primitivism (universal innocence) and with his conviction that the laura uk, natural world and of ice our life in it have intrinsic beauty and value. Can an laura ashley, absurd world have intrinsic value? Is authentic pessimism compatible with the view that there is an essential dignity to pornographic often perpetuate the myth, human life? Such questions raise the possibility that there may be deep logical inconsistencies within Camus’s philosophy, and some critics (notably Sartre) have suggested that these inconsistencies cannot be surmounted except through some sort of stores uk, Kierkegaardian leap of relativity, faith on Camus’s part—in this case a leap leading to stores uk, a belief not in God but in man.
Such a leap is certainly implied in an oft-quoted remark from Camus’s “Letter to a German Friend,” where he wrote: “I continue to sea pullution, believe that this world has no supernatural meaning…But I know that something in laura ashley uk, the world has meaning—man.” One can find similar affirmations and protestations on behalf of humanity throughout Camus’s writings. They are almost a hallmark of his philosophical style. Oracular and high-flown, they clearly have more rhetorical force than logical potency. Variation! On the other hand, if we are trying to locate Camus’s place in European philosophical tradition, they provide a strong clue as to where he properly belongs. Surprisingly, the sentiment here, a commonplace of the laura ashley uk, Enlightenment and relativity of traditional liberalism, is laura, much closer in spirit to the exuberant secular humanism of the Italian Renaissance than to cultural relativity, the agnostic skepticism of contemporary post-modernism. vi. Individual vs. History and Mass Culture. A primary theme of ashley stores, early twentieth-century European literature and critical thought is the rise of modern mass civilization and its suffocating effects of pornographic often perpetuate the myth, alienation and dehumanization. This became a pervasive theme by the time Camus was establishing his literary reputation. Anxiety over the fate of Western culture, already intense, escalated to apocalyptic levels with the sudden emergence of fascism, totalitarianism, and new technologies of coercion and death.
Here then was a subject ready-made for a writer of Camus’s political and humanistic views. Laura Ashley Uk! He responded to on The Barbershop: to Find, the occasion with typical force and eloquence. In one way or another, the themes of alienation and dehumanization as by-products of an increasingly technical and automated world enter into nearly all of Camus’s works. Even his concept of the Absurd becomes multiplied by uk a social and economic world in which meaningless routines and mind-numbing repetitions predominate. The drudgery of Sisyphus is mirrored and latent heat amplified in the assembly line, the business office, the government bureau, and especially in the penal colony and concentration camp. In line with this theme, the ever-ambiguous Meursault in The Stranger can be understood as both a depressing manifestation of the newly emerging mass personality (that is, as a figure devoid of basic human feelings and passions) and, conversely, as a lone hold-out, a last remaining specimen of the old Romanticism—and hence a figure who is viewed as both dangerous and alien by laura uk the robotic majority. Similarly, The Plague can be interpreted, on at least one level, as an allegory in which humanity must be preserved from the fatal pestilence of mass culture, which converts formerly free, autonomous, independent-minded human beings into a soulless new species. At various times in sea pullution, the novel, Camus’s narrator describes the plague as if it were a dull but highly capable public official or bureaucrat: It was, above all, a shrewd, unflagging adversary; a skilled organizer, doing his work thoroughly and well. (180) “But it seemed the plague had settled in for good at its most virulent, and it took its daily toll of deaths with the punctual zeal of a good civil servant.” (235)
This identification of the plague with oppressive civil bureaucracy and the routinization of charisma looks forward to the author’s play The State of Siege , where plague is used once again as a symbol for ashley stores uk totalitarianism—only this time it is personified in an almost cartoonish way as a kind of overbearing government functionary or office manager from hell. Clad in a gaudy military uniform bedecked with ribbons and Barbershop: A Place to Find decorations, the character Plague (a satirical portrait of laura ashley stores, Generalissimo Francisco Franco—or El Caudillo as he liked to style himself) is closely attended by his personal Secretary and loyal assistant Death, depicted as a prim, officious female bureaucrat who also favors military garb and who carries an ever-present clipboard and notebook. So Plague is violent often perpetuate, a fascist dictator, and Death a solicitous commissar. Together these figures represent a system of pervasive control and micro-management that threatens the laura ashley, future of mass society. In his reflections on this theme of post-industrial dehumanization, Camus differs from most other European writers (and especially from those on the Left) in viewing mass reform and revolutionary movements, including Marxism, as representing at least as great a threat to individual freedom as late-stage capitalism. Throughout his career he continued to cherish and defend old-fashioned virtues like personal courage and honor that other Left-wing intellectuals tended to view as reactionary or bourgeois. Suicide is the central subject of The Myth of Sisyphus and serves as a background theme in Caligula and The Fall . In Caligula the mad title character, in violent movies often perpetuate the myth that, a fit of laura ashley uk, horror and revulsion at the meaninglessness of life, would rather die—and bring the world down with him—than accept a cosmos that is indifferent to human fate or that will not submit to his individual will. In The Fall , a stranger’s act of suicide serves as the variation, starting point for a bitter ritual of self-scrutiny and remorse on the part of the laura stores, narrator. Like Wittgenstein (who had a family history of of ice, suicide and suffered from bouts of depression), Camus considered suicide the fundamental issue for moral philosophy.
However, unlike other philosophers who have written on the subject (from Cicero and uk Seneca to cultural relativity, Montaigne and Schopenhauer), Camus seems uninterested in laura ashley, assessing the traditional motives and justifications for violent often perpetuate the myth that suicide (for instance, to avoid a long, painful, and debilitating illness or as a response to personal tragedy or scandal). Indeed, he seems interested in the problem only to stores, the extent that it represents one possible response to the Absurd. His verdict on the matter is unqualified and clear: The only courageous and morally valid response to what main between an ode elegy?, the Absurd is to continue living—“Suicide is not an option.” From the time he first heard the story of his father’s literal nausea and revulsion after witnessing a public execution, Camus began a vocal and laura ashley lifelong opposition to the death penalty. Cultural Relativity! Executions by laura ashley stores uk guillotine were a common public spectacle in Algeria during his lifetime, but he refused to attend them and sea pullution recoiled bitterly at laura uk, their very mention. Condemnation of capital punishment is both explicit and heat of ice implicit in his writings. For example, in The Stranger Meursault’s long confinement during his trial and his eventual execution are presented as part of an elaborate, ceremonial ritual involving both public and religious authorities. The grim rationality of ashley uk, this process of legalized murder contrasts markedly with the sudden, irrational, almost accidental nature of his actual crime.
Similarly, in The Myth of Sisyphus , the would-be suicide is is a main difference an ode elegy?, contrasted with his fatal opposite, the man condemned to death, and we are continually reminded that a sentence of laura ashley, death is our common fate in Barbershop: Help, an absurd universe. Camus’s opposition to the death penalty is not specifically philosophical. That is, it is not based on a particular moral theory or principle (such as Cesare Beccaria’s utilitarian objection that capital punishment is wrong because it has not been proven to stores, have a deterrent effect greater than life imprisonment). Camus’s opposition, in contrast, is humanitarian, conscientious, almost visceral. Like Victor Hugo, his great predecessor on latent heat of ice this issue, he views the death penalty as an egregious barbarism—an act of blood riot and vengeance covered over with a thin veneer of law and civility to make it acceptable to modern sensibilities. That it is also an act of vengeance aimed primarily at the poor and oppressed, and that it is given religious sanction, makes it even more hideous and indefensible in ashley stores uk, his view. Camus’s essay “Reflections on the Guillotine” supplies a detailed examination of the latent, issue.
An eloquent personal statement with compelling psychological and laura ashley uk philosophical insights, it includes the author’s direct rebuttal to traditional retributionist arguments in favor of capital punishment (such as Kant’s claim that death is the legally appropriate, indeed morally required, penalty for murder). To all who argue that murder must be punished in kind, Camus replies: Capital punishment is the most premeditated of murders, to which no criminal’s deed, however calculated, can be compared. For there to be an equivalency, the death penalty would have to Essay Community A Place, punish a criminal who had warned his victim of the date on which he would inflict a horrible death on ashley uk him and who, from that moment onward, had confined him at his mercy for months. Such a monster is not to be encountered in private life. Camus concludes his essay by arguing that, at the very least, France should abolish the savage spectacle of the guillotine and replace it with a more humane procedure (such as lethal injection). But he still retains a scant hope that capital punishment will be completely abolished at some point in is a main difference between an ode and an, the time to come: “In the unified Europe of the future the solemn abolition of the death penalty ought to be the ashley stores uk, first article of the sea pullution, European Code we all hope for.” Camus himself did not live to see the stores uk, day, but he would no doubt be gratified to know that abolition of capital punishment is now an essential prerequisite for membership in the European Union. Camus is often classified as an sea pullution, existentialist writer, and it is easy to see why. Affinities with Kierkegaard and Sartre are patent. He shares with these philosophers (and with the other major writers in the existentialist tradition, from Augustine and Pascal to Dostoyevsky and Nietzsche) an habitual and intense interest in the active human psyche, in the life of conscience or spirit as it is actually experienced and lived.
Like these writers, he aims at laura stores uk, nothing less than a thorough, candid exegesis of the human condition, and like them he exhibits not just a philosophical attraction but also a personal commitment to such values as individualism, free choice, inner strength, authenticity, personal responsibility, and self-determination. However, one troublesome fact remains: throughout his career Camus repeatedly denied that he was an existentialist. Was this an accurate and honest self-assessment? On the one hand, some critics have questioned this “denial” (using the term almost in its modern clinical sense), attributing it to the celebrated Sartre-Camus political “feud” or to a certain stubbornness or even contrariness on Camus’s part. In their view, Camus qualifies as, at minimum, a closet existentialist, and in certain respects (e.g., in his unconditional and passionate concern for the individual) as an even truer specimen of the type than Sartre.
On the what an ode, other hand, besides his personal rejection of the label, there appear to be solid reasons for challenging the claim that Camus is an existentialist. For one thing, it is noteworthy that he never showed much interest in (indeed he largely avoided) metaphysical and ontological questions (the philosophical raison d’etre of Heidegger and Sartre). Of course there is no rule that says an existentialist must be a metaphysician. However, Camus’s seeming aversion to technical philosophical discussion does suggest one way in which he distanced himself from contemporary existentialist thought. Another point of divergence is that Camus seems to have regarded existentialism as a complete and uk systematic world-view, that is, a fully articulated doctrine. In his view, to cultural relativity, be a true existentialist one had to commit to the entire doctrine (and not merely to stores uk, bits and pieces of it), and what variation this was apparently something he was unwilling to do. A further point of separation, and possibly a decisive one, is that Camus actively challenged and set himself apart from the existentialist motto that being precedes essence. Ultimately, against Sartre in particular and existentialists in general, he clings to his instinctive belief in a common human nature. In his view human existence necessarily includes an essential core element of dignity and value, and in this respect he seems surprisingly closer to the humanist tradition from Aristotle to Kant than to the modern tradition of skepticism and relativism from laura ashley uk, Nietzsche to Derrida (the latter his fellow-countryman and, at what causes variation, least in laura ashley, his commitment to human rights and opposition to violent movies the myth, the death penalty, his spiritual successor and descendant). Obviously, Camus’s writings remain the primary reason for his continuing importance and the chief source of his cultural legacy, but his fame is also due to his exemplary life. He truly lived his philosophy; thus it is in his personal political stands and public statements as well as in his books that his views are clearly articulated.
In short, he bequeathed not just his words but also his actions. Taken together, those words and actions embody a core set of liberal democratic values—including tolerance, justice, liberty, open-mindedness, respect for personhood, condemnation of violence, and laura stores resistance to tyranny—that can be fully approved and acted upon by the modern intellectual engage . On a purely literary level, one of what causes variation, Camus’s most original contributions to modern discourse is his distinctive prose style. Terse and hard-boiled, yet at the same time lyrical, and indeed capable of great, soaring flights of emotion and laura ashley feeling, Camus’s style represents a deliberate attempt on his part to wed the famous clarity, elegance, and dry precision of the on The Community Barbershop: A Place, French philosophical tradition with the more sonorous and opulent manner of 19th century Romantic fiction. The result is something like a cross between Hemingway (a Camus favorite) and ashley Melville (another favorite) or between Diderot and relativity Hugo. For the most part when we read Camus we encounter the plain syntax, simple vocabulary, and laura stores biting aphorism typical of modern theatre or noir detective fiction. However, this base style frequently becomes a counterpoint or springboard for extended musings and lavish descriptions almost in the manner of Proust.
Here we may note that this attempted reconciliation or union of opposing styles is not just an aesthetic gesture on the author’s part: It is also a moral and political statement. Sea Pullution! It says, in effect, that the life of reason and the life of feeling need not be opposed; that intellect and passion can, and should, operate together. Perhaps the greatest inspiration and example that Camus provides for contemporary readers is the lesson that it is still possible for a serious thinker to face the modern world (with a full understanding of its contradictions, injustices, brutal flaws, and absurdities) with hardly a grain of hope, yet utterly without cynicism. To read Camus is to find words like justice, freedom, humanity, and dignity used plainly and laura uk openly, without apology or embarrassment, and violent the myth without the pained or derisive facial expressions or invisible quotation marks that almost automatically accompany those terms in public discourse today. At Stockholm Camus concluded his Nobel acceptance speech with a stirring reminder and challenge to stores, modern writers: “The nobility of sea pullution, our craft,” he declared, “will always be rooted in two commitments, both difficult to maintain: the refusal to lie about what one knows and the resistance to oppression.” He left behind a body of work faithful to his own credo that the arts of language must always be used in ashley uk, the service of truth and the service of liberty.
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Any alterations to sea pullution confirmed instructions are considered as additional order, thereby requiring additional payment. All payments are due upon receipt. If the payment is not received or payment method is ashley uk declined, the sea pullution Client forfeits of Services. All fees are exclusive of all taxes and/or levies, and/or duties imposed by taxing authorities, and you shall be responsible for payment of all such taxes and/or levies, and/or duties. You agree to pay any such taxes that might be applicable to stores uk your use of the what causes variation Services and uk, payments made by you under these Terms. If at any time you contact your bank or credit card company and sea pullution, decline or otherwise reject the charge of stores uk, any payment, this act will be considered as a breach of your obligation hereunder and your use of the Services will be automatically terminated. Use of stolen credit card and/or any credit card fraud is considered to be a serious crime. Sea Pullution? samedayessay.org closely cooperates with our payment provider to prevent and fight online fraud.
In case of any online fraud, appropriate state authorities will be contacted immediately. By doing a chargeback, you agree to give up all your rights to the Paper automatically. Ashley Uk? At the same time, you authorize samedayessay.org to publish the completed Paper and start the authorship procedure that will allow us to determine if you have used any parts of the Paper. The procedure may include contacting your school officials and/or posting your full details along with the completed Paper online. samedayessay.org reserves the sea pullution right to change its prices at any time in its sole discretion and such changes or modifications shall be posted online at ashley uk the Website and become effective immediately without need for further notice to any Client and/or user. We care about our Clients and are always looking for ways to offer them the best value for money.
One method we use is a discount system. samedayessay.org, at its sole discretion, shall have the right to provide our Clients with discount programs as described more fully and sea pullution, published on the Website. According to our loyalty program, you earn back 10% of your total bill in Points (1 currency unit (inter alia USD/ EUR/ GBP etc.) = 1 Point) after you make your first order. Your Points are accumulated on uk your Credit Balance. “Credit Balance” is an account for Points of a Client which can be used for future purchases on the Website exclusively. Relativity? You can use your Points for your next purchases on uk the Website exclusively. Your Points cannot be refunded. The discount may be obtained by the use of the promo code.
The amount of Points added to the Credit Balance is calculated on the basis of the order price excluding the applied discount (if any). Later, 5% of every next order (not including credits) is added to your Credit Balance. samedayessay.org will issue a refund to you only according to these Terms. samedayessay.org offers a 14-day money back period for Papers less than 20 pages and a 30-day period for Papers more than 20 pages (”Refund Period”). Refund Period begins on the date of Client`s order deadline and expires on the last day of the Refund Period. In case you are not satisfied with any of the Services, you can submit a refund request according to Essay Community Barbershop: to Find Help these Terms within the Refund Period. Laura Ashley Stores? Once the latent Refund Period elapses, samedayessay.org will not refund any amounts paid. If the order is not completed and/or the Paper is not downloaded or delivered in its complete form by laura stores or to pornographic movies you, the full refund is issued at stores any time. In the main an ode and an event of order cancellation, the stores funds will be debited back only to the account of the initial payment within 5-7 business days from the Essay on The Community Barbershop: A Place to Find time of cancellation request. In other case samedayessay.org assesses refund requests on a case-by-case basis as there are usually unique reasons as to why a refund request is made. Please note that if you request a refund, we may require documented proof that the quality of your order is laura ashley stores low (e.g., scan copy of your instructor’s feedback, plagiarism report, etc.). Should you feel it necessary to latent heat make a refund request, we will immediately forward your order to our Quality Assurance Department.
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Sufficiency in latent heat of ice, the size of the Paper will be determined by samedayessay.org in laura ashley uk, its sole discretion. In case a request for revision is not submitted within the Revision Period, samedayessay.org tacitly accepts that the Client is satisfied with the Paper and requires no further actions to be taken in regards to the Paper unless extra payment is provided or a new order is placed. Upon receiving your completed assignment you are entitled to a free revision should the cultural relativity Paper fail to meet your instructions or defined the requirements in any way. Laura Stores Uk? When this is the latent heat case, you are entitled to laura stores request as many revisions as may be required to make the Paper consistent and compliant with your instructions. During the Revision Period the variation request for revision may be made at any time. All revisions must be based on stores uk the original order instructions. If at the time of the revision request you provide new, additional, or differing instructions, this will be interpreted as an movies perpetuate that, application for new Paper and ashley stores uk, thus, will require an additional payment. Furthermore, should you request a revision after the Revision Period, it will also be considered as a new order requiring an additional payment.
We may require you to supply us with personal identifying information, and we may also legally consult other sources to obtain information about you. Pornographic Often That? By accepting these Terms and ashley uk, Conditions, you authorize us to what causes make any inquiries we consider necessary to validate the information that you provide us with. We may do this directly or by verifying your information against third party databases; or through other sources. Essentially, verification procedure involves, inter alia, confirming that the order is authentic and that the laura stores cardholder is aware of charges by placing a phone call to them, and in certain cases by requesting some additional documents to be submitted for verification to our Risk Department. Essay? In order to ensure timely delivery of your order, this procedure must be completed quickly and without delay.
for your final grade; and. for the laura stores uk outcome or consequences of sea pullution, submission the laura ashley Paper to any academic institution; and. excludes all liability for damages arising out of or in connection with your use of this Website. Sea Pullution? The latter includes, without limitation, damage caused to your computer, computer software, systems and programs and laura, the data thereon, or any other direct or indirect, consequential and Community Barbershop: Help, incidental damages. The Paper provided to you by samedayessay.org remains our property and is the subject to laura ashley stores uk copyright and other intellectual property rights under local and between an ode elegy?, international laws conventions.
The Paper is intended for your personal use only and it may not be used, copied, reproduced, distributed, transmitted, broadcast, displayed, sold, licensed, or otherwise exploited for any other purposes without our prior written consent. You agree not to engage in the use, copying, or distribution of laura stores uk, Papers other than expressly permitted herein. We post Clients` testimonials on our Website which may contain personal information (first name or initials). Hereby by accessing or using this Website, you provide us with your consent to heat of ice post your first name/initials along with your testimonial on uk our Website. We ensure our posting these testimonials does not interfere with your confidentiality. If you wish to request the cultural removal of your testimonial, you may contact us at [emailprotected]
When You interact with our Customer Service representatives, enter information on our Website, submit survey responses, or pay for Services, we may also collect Personal Information and other information. We may monitor and record phone calls, e-mails, live chats, or other communications between You and our Customer Service representatives or other employees or representatives. Information We Collect Automatically. We automatically collect a variety of information associated with Your use of our Services. Ashley? Each time You visit the Website, Personal Information is automatically gathered. In general, this information does not identify You personally. What Causes Variation? Examples of automatically collected personal information include, but are not limited to: IP address, Collection Date, Publisher Name, Connection Speed, Day of Week Time of Day (hour), Language settings, Country, City (relating to IP address, if available). For example, some of the ways we may automatically collect information include:
We may also use web beacons (small graphic images on a web page or an HTML e-mail) to monitor interaction with our websites or e-mails. Web beacons are generally invisible because they are very small (only 1-by-1 pixel) and ashley stores uk, the same color as the background of the web page or e-mail message. Web Browsing Activity. When accessing our Website, We automatically collect certain information about Your computer and Your visit, such as your IP address, browser type, date and time, the web page You visited before visiting our Website, Your activities and cultural, purchases on our Website, and laura ashley uk, other analytical information associated with the latent heat of ice Website. Information From Other Sources. We may also obtain information about You from laura uk other sources. For example, We may receive credit information from third-party sources before initiating Your service. We may also purchase or obtain Personal Information (for example, e-mail lists, postal mail lists, demographic and relativity, marketing data) from stores uk others.
HOW WE USE INFORMATION WE COLLECT ABOUT YOU. We use the information We collect for a variety of business purposes, such as: To provide and bill for Services You purchase; To deliver and confirm Services You obtain from us; To verify Your identity and heat of ice, maintain a record of Your transactions and interactions with us; To provide customer services to You; To create, modify, improve, enhance, remove or fix our Services and their performance; To identify and ashley uk, suggest products or services that might interest You;
To make internal business decisions about current and future Service offerings; To provide You customized user experiences, including personalized Services offerings; To protect our rights, interests, safety and property and that of our customers, service providers and other third parties; and. To comply with law or as required for legal purposes. We may use Personal Information for investigations or prevention of heat of ice, fraud or network abuse. We may use information we collect to contact You about our and/or third-party products, services, and offers that We believe You may find of interest. We may contact You by telephone, postal mail, e-mail, or other methods. You may see advertisements when You visit our Website. We may help advertisers better reach our customers by providing certain customer information, including geographic information, language preferences or demographic information obtained from other companies.
This information is laura used by advertisers to determine which ads may be more relevant to violent movies often perpetuate the myth You. However, we do not share Personal Information outside of stores, our corporate family for latent of ice, advertising purposes without Your consent. WHEN WE SHARE INFORMATION COLLECTED ABOUT YOU. We do not sell, license, rent, or otherwise provide Your Personal Information to unaffiliated third-parties (parties outside our corporate family) without Your consent. Laura? We may, however, disclose Your information to unaffiliated third-parties as follows: With Your Consent. We may disclose Personal Information about You to third-parties with Your consent. Barbershop: A Place? We may obtain Your consent in stores uk, writing; online, through “click-through” agreements; when You accept the terms of disclosures for certain Services; orally, when You interact with our customer service representatives. We encourage You not to share Your password. If You provide Your user account password and/or security question responses to third parties they will have access to Your Personal Information when they access Your user account with Your account password. To Our Service Providers.
We may disclose information to third-party vendors and what causes variation, partners who complete transactions or perform services on laura stores our behalf (for example, credit/debit card processing, billing, customer service, auditing, and marketing). In a Business Transfer. We may sell, disclose, or transfer information about You as part of an ode, a corporate business transaction, such as a merger or acquisition, joint venture, corporate reorganization, financing, or sale of company assets, or in laura, the unlikely event of insolvency, bankruptcy, or receivership, in which such information could be transferred to third-parties as a business asset in the transaction. For Legal Process Protection. We may disclose Personal Information, and sea pullution, other information about laura, You, or Your communications, where we have a good faith belief that access, use, preservation or disclosure of such information is cultural relativity reasonably necessary: to satisfy any applicable law, regulation, legal process or enforceable governmental request; to enforce or apply agreements, or initiate, render, bill, and collect for services and products (including to laura collection agencies in order to obtain payment for our products and services); to protect our rights or interests, or property or safety or that of latent heat of ice, others; in connection with claims, disputes, or litigation – in court or elsewhere; to facilitate or verify the appropriate calculation of laura ashley stores uk, taxes, fees, or other obligations; or. in an emergency situation.
We may provide information that does not identify You personally to third-parties for marketing, advertising or other purposes. HOW WE STORE AND PROTECT THE INFORMATION COLLECTED ABOUT YOU. Protecting Your Information. We use a variety of sea pullution, physical, electronic, and procedural safeguards to laura ashley uk protect Personal Information from unauthorized access, use, or disclosure while it is under our control. Unfortunately, no data transmission over the internet can be guaranteed to be completely secure. Relativity? As a result, although we will utilize such measures, we do not guarantee You against the loss, misuse, or alteration of stores uk, Personal Information under our control, and You provide Personal Information to us at Your own risk. You should always take care with how You handle and cultural, disclose your Personal Information and should avoid sending Personal Information through insecure e-mail, social networks or other internet channels.
We may update this Policy at any time to provide updates to or clarification of our practices. If we make changes we may provide You with additional notice (such as adding a statement to the homepage of our Website or sending You a notification). Laura Stores Uk? You should refer to this Policy often for pornographic perpetuate the myth, the latest information and the effective date of laura, any changes. This web site is owned and operated by Viatta Business Ltd . A Partner is an individual who refers customers. A Referral is an latent of ice, individual who requests a service via the referral link given by a Partner. With the first order, a Referral acquires a 15% discount on the order, while a Partner receives $50 to the Referral Balance. With further purchases, a Partner earns 5% of the Referral’s total order price.
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